A. ERGUR And N. Doğrusöz Dişiaçık, "Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music," International Review of the Aesthetics and Sociology of Music , vol.0, no.46, pp.145-174, 2015
ERGUR, A. And Doğrusöz Dişiaçık, N. 2015. Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music. International Review of the Aesthetics and Sociology of Music , vol.0, no.46 , 145-174.
ERGUR, A., & Doğrusöz Dişiaçık, N., (2015). Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music. International Review of the Aesthetics and Sociology of Music , vol.0, no.46, 145-174.
ERGUR, ALİ, And Nilgün Doğrusöz Dişiaçık. "Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music," International Review of the Aesthetics and Sociology of Music , vol.0, no.46, 145-174, 2015
ERGUR, ALİ And Doğrusöz Dişiaçık, Nilgün D. . "Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music." International Review of the Aesthetics and Sociology of Music , vol.0, no.46, pp.145-174, 2015
ERGUR, A. And Doğrusöz Dişiaçık, N. (2015) . "Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music." International Review of the Aesthetics and Sociology of Music , vol.0, no.46, pp.145-174.
@article{article, author={ALİ ERGUR And author={Nilgün Doğrusöz Dişiaçık}, title={Resistance and Adoption towards Written Music at the Crossroads of Modernity Gradual Passage to Notation in Turkish Maqam Music}, journal={International Review of the Aesthetics and Sociology of Music}, year=2015, pages={145-174} }