Küreselleşmenin Seçkin Görünümü: Dünya Müziği Kategorisi Olarak Roman Oyun Havası

İncedere Z. G.

Alternatif Politika, vol.10, no.1, pp.43-72, 2018 (Peer-Reviewed Journal)

  • Publication Type: Article / Article
  • Volume: 10 Issue: 1
  • Publication Date: 2018
  • Journal Name: Alternatif Politika
  • Journal Indexes: TR DİZİN (ULAKBİM)
  • Page Numbers: pp.43-72
  • Istanbul Technical University Affiliated: Yes


The category of world music is a new genre-title created by that latest embodiment of globalization, the glocal (global-local) market in the music industry. The increase in the power of the world music market in late 1980’s and the popularization of the Romani musician as an identity in that regard plays an important role in the popularization of the 9/8 Romani dance tune both in Turkey and in the Balkans sound. The Gypsy- Romani themed films in the last quarter century by Emir Kusturica and Tony Gatlif, the Gypsy-Romani music festivals held in Europe and North America, and the increase in the Romani instrumentalist and performer productions in the Balkans popular music market; also, the rise in the scientific and artistic interest in the academia show the emphasis on both the distinctive and the European identity of the Gypsies, while supporting the new political economic conditions. This article critically reviews the popularization process of Turkish Roma musicians and musics in the world music industry via correlation with Balkan territories.